677. USA: The Star-Spangled Banner (Part 1)

Episode of The Rest Is History · June 7, 2026 · 1 h 11 min

Dominic Sandbrook and Tom Holland trace the Star-Spangled Banner from the 1814 bombardment of Fort McHenry to its adoption as anthem and the controversy over slavery.

Summary

Opening a World Cup series on national anthems, Tom Holland and Dominic Sandbrook began with the United States' Star-Spangled Banner. Sandbrook outlined the causes of the War of 1812, the failed American invasions of Canada, the British Chesapeake campaign and the burning of Washington, before recounting how lawyer Francis Scott Key, sent to secure the release of Dr. William Beanes, was detained aboard British ships and watched the September 1814 bombardment of Fort McHenry. He noted that the bombardment did little damage, that the huge garrison flag was simply raised at dawn as usual, and that the popular story of Key writing on an envelope is a myth.

Sandbrook explained that the poem was a broadside ballad written to the English tune of the Anacreontic Song by John Stafford Smith, a melody already widely reused in America, and that it spread through newspapers before music-seller Thomas Carr gave it its title. After the break the hosts examined the charge, raised by the NAACP in 2017, that the third verse's 'hireling and slave' glorifies slavery. Holland argued the phrase echoed revolutionary-era insults for British subjects and mercenaries; Sandbrook agreed this was plausible but set out the context of Rear Admiral Cockburn's recruitment of escaped slaves into the Corps of Colonial Marines, and Key's own slaveholding, American Colonization Society activism and prosecutions of abolitionists.

The hosts then followed the song's nineteenth-century life, including parodies and Confederate claims, its institutionalisation in the military, objections to its British melody, militarism and difficulty, rival candidates such as Hail Columbia and America the Beautiful, and its adoption into law by Herbert Hoover in 1931. They closed with later controversies, from José Feliciano, Jimi Hendrix and Sacha Baron Cohen's Borat to Colin Kaepernick's kneeling protest and the toppling of Key's statue in San Francisco. Sandbrook concluded that Key's text was probably aimed at escaping slaves but that art can be separated from the artist, citing an 1844 abolitionist version of the anthem.

Chapters

  1. 2:43

    Introducing the World Cup anthems series

    Holland explains the series on six World Cup nations' anthems, starting with the United States.

  2. 4:08

    Causes of the War of 1812

    Sandbrook outlines the four American motives for war and the failed invasions of Canada.

  3. 9:10

    Chesapeake campaign and burning of Washington

    The British raid the Chesapeake, burn Washington and turn toward Baltimore.

  4. 10:43

    Francis Scott Key and Dr. Beanes

    Key is sent to free Dr. William Beanes and is detained by the British after overhearing attack plans.

  5. 15:30

    Bombardment of Fort McHenry

    Sandbrook describes the largely ineffective rocket and shell bombardment and the raising of the great garrison flag.

  6. 19:57

    Writing and publishing the poem

    Key writes the poem on notepaper, not an envelope, and it is printed as Defence of Fort McHenry.

  7. 23:32

    Broadside ballads and the Anacreontic Song

    The hosts explain the reused English tune and its prior political uses in America.

  8. 33:29

    The 'hireling and slave' controversy

    The hosts debate whether the third verse refers to British subjects or to escaped slaves in the Corps of Colonial Marines.

  9. 44:04

    Key's record on slavery

    Sandbrook examines Key's slaveholding, American Colonization Society work and prosecutions of abolitionists.

  10. 48:50

    The song in the nineteenth century

    Parodies, Confederate claims and growing military use make the song and flag national relics.

  11. 53:18

    Becoming the national anthem

    After rival songs and objections, the anthem is adopted in 1931 through veterans' lobbying.

  12. 58:00

    Modern controversies

    From Feliciano, Hendrix and Borat to Kaepernick and the San Francisco statue, the hosts weigh the anthem's legacy.

Key points

What was said, by whom, with the exact words. Timestamps jump to the moment.

  • Dominic Sandbrook

    Sandbrook argues that the War of 1812 is obscure even in the United States, partly because it ended in a draw.

    “And even for American listeners, I think, would have to concede that this war is very obscure as, in fact, reading an American historian about it”

    Listen from 5:28 · War of 1812

  • Dominic Sandbrook

    Sandbrook says the war is chiefly remembered in Canada, where the defeat of American invasions became foundational to national identity.

    “And this is, of course, a foundational moment in Canadian identity. So the one place where people do talk about the War of 1812 is in Canada”

    Listen from 8:45 · War of 1812

  • Dominic Sandbrook

    Sandbrook states that the British bombardment of Fort McHenry was largely ineffective because the ships had to stay at the limit of their range.

    “They kill four people. They wound 24. But they don't really have any impact whatsoever on the fort's defenses”

    Listen from 16:21 · Battle of Fort McHenry

  • Dominic Sandbrook

    Sandbrook rejects the popular story that Key wrote the poem on the back of an envelope, noting envelopes were rarely used in 1814.

    “So you will often read on the internet that he writes it on the back of an envelope that he'd found in his pocket”

    Listen from 21:02 · The Star-Spangled Banner

  • Dominic Sandbrook

    Sandbrook points out that the anthem's melody is English, the Anacreontic Song composed by John Stafford Smith.

    “It's an English tune. The tune is called The Anachriontic Song. And it was written in 1775 by a man called John Stafford Smith”

    Listen from 25:26 · To Anacreon in Heaven

  • Tom Holland

    Holland argues that 'hireling and slave' was revolutionary-era rhetoric for British subjects and Hessian mercenaries rather than a reference to enslaved Africans.

    “I would have said that these are insults applied to soldiers fighting under the British crown”

    Listen from 35:26 · Slavery in the United States

  • Dominic Sandbrook

    Sandbrook contends that both the wartime context and Key's own views give reason to think the verse referred to African-American slaves.

    “There are reasons to think that Key was talking about African-American slaves. And one is to do with the context, and the other is to do with Key himself”

    Listen from 37:51 · Slavery in the United States

  • Dominic Sandbrook

    Sandbrook recounts that former Colonial Marines were settled in Trinidad in villages whose inhabitants are still called Americans.

    “They were given special villages under the command of their old sergeants. They settled there and they were called Americans”

    Listen from 43:16 · Corps of Colonial Marines

  • Dominic Sandbrook

    Sandbrook describes Key as an active opponent of abolitionism who used his office to prosecute anti-slavery activists.

    “As district attorney for Washington, D.C. in the 1830s, he is a tireless foe of abolitionism”

    Listen from 46:43 · American Colonization Society

  • Tom Holland

    Holland suggests Key may have held conflicting views on slavery and liberty that he never resolved, making the lyric ambiguous.

    “Often, particularly in America, those shades of meaning are in direct conflict with each other. So perhaps he couldn't resolve those ambiguities”

    Listen from 48:39 · Slavery in the United States

  • Tom Holland

    Holland says he now considers the Marseillaise the first national song rather than the first national anthem, revising an earlier view.

    “The Marseillaise is the first national song, but not the first national anthem”

    Listen from 54:01 · National anthems

  • Dominic Sandbrook

    Sandbrook says early efforts to make the song the anthem failed over its British melody and other objections, not its slavery reference.

    “And the reason he keeps losing is not because of the words hireling and slave. It's because, A, some people say it's a British melody”

    Listen from 55:04 · The Star-Spangled Banner

  • Dominic Sandbrook

    Sandbrook notes that the song's exceptional vocal range makes it difficult even for professional singers.

    “The Star Spangled Banner demands a range of 19 semitones, and even some professional singers are not capable of that range”

    Listen from 55:47 · The Star-Spangled Banner

  • Dominic Sandbrook

    Sandbrook argues the song beat America the Beautiful because of its military associations and a veterans' petition campaign.

    “The Star Spangled Banner won precisely because of its military associations. So the lobby group, the Veterans of Foreign Wars, organized a petition”

    Listen from 58:26 · The Star-Spangled Banner

  • Dominic Sandbrook

    Sandbrook observes that Americans treat their anthem with a reverence not shared in countries such as Britain.

    “that not all countries have the same attitude to their national anthem. So, for example, in Britain,”

    Listen from 59:26 · National anthems

  • Linked moment · 1:04:13Skip to 1:04:13 using a listen link in the info box.

    Dominic Sandbrook

    Sandbrook gives his personal view that Key's lyric was probably aimed at escaping slaves who aided the British.

    “And personally, I think his text probably is aimed at slaves who are trying to escape and are helping the British”

    Listen from 1:04:13 · Slavery in the United States

  • Dominic Sandbrook

    Sandbrook maintains that the art can be separated from the artist, pointing to an 1844 abolitionist rewrite of the anthem.

    “I think we've generally always had the position on the show that you can separate the art from the artist”

    Listen from 1:04:22 · The Star-Spangled Banner

People

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From the publisher

How did the War of 1812 result in America’s national anthem, the Star Spangled Banner? Who came up with it? And, why does this origin story make the anthem so controversial? Join Dominic and Tom as they launch into the first episode of their Football World Cup special, with the story behind America’s national anthem, and its secret story. _______ *Father’s Day discounted gift memberships available here. Treat your dad to ad-free listening, early access to full series, bonus episodes, and much more.* Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at the⁠restishistory.com⁠ To read our new newsletter, sign up at: therestishistory.com/newsletters _______ Lloyds. 250 years on and still backing the nation's aspirations. Advertise with us: Partnerships@goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Video Editors: Jack Meek, Harry Swan + Adam Thornton Social Producer: Harry Balden Producers: Tabby Syrett & Aaliyah Akude Senior Producer: Callum Hill Executive Producer: Dom Johnson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Summary, chapters and key points were generated from the episode transcript on September 29, 2026. Quotes are checked word for word against the transcript.

Categories: History·Music History